Wednesday, August 25, 2010
Devised by yours truly, developed with MC Gamble, performed with MC Gamble.
The event? Dance Carousel by Spank Dance Company in January 2010.
The lovely dancer in black here is actually Krystal Wigfield, who courageously got
on stage with me last minute to fill in for MC. Thanks Wiggy!
The one in green? That's me.
The glorious green hoodie? That belongs to Ben Kullerd.
I am flying to London tomorrow, again. This time only for a few short days, and I will be staying in a hostel with 8+ peeps in my room. Why? Why because there is an audition at the Pineapple Dance Studios for DISNEY TOKYO. They are looking for dancers to dance around like princesses, and also 'ethnic looking females with athletic bodies'. I don't look 'ethnic' in the way Disney would think is ethnic...but I DO have an athletic body, could perform aerial work if asked, and would be STOKED to live in Tokyo on a dancing contract and be in DISNEYLAND everyday. Not that I am getting my hopes up or anything...
Thursday, July 29, 2010
On these walks I have discovered that Amsterdam has the coolest playgrounds EVER. A picture slideshow will soon be made a posted, revealing one of my favorite playscapes of all times. Kids here are lucky/awesome.
Martin Sonderkamp's class is fascinating and very challenging. He is very direct in pointing out out anatomy, and we are constantly grabbing deep into our sitbones and pushing thumbs into our trocanters and feeling the release and contraction of our hamstrings and deep-6's and all that jazz. It is nice to step back when training and just feel your own anatomy, and think "okay THAT'S is what I can't do this" and "maybe if I release here more, things will get easier." Very nice, very nice.
Tuesday, July 27, 2010
To begin, a snapshot took whilest still in London. This is Kris Walker, with me in Brixton on my last day in the UK. Brixton is a weird place, weird but fascinating. If you look past Kris' coolness, and fixate upon the oober coolness of these two Johnny Depp/Blues Brothers hybrids, you will realize just how bizarre Brixton is. If you have the means to, you should visit.
Henny Jurriens Foundation (HJS): am amazing hub.
Today I took class with Stephen Pier, master faculty member at The Julliard School. He has danced with the Royal Danish Ballet, the Hamburg Ballet, The Jose Limon Company...among a few. I got to start off my morning in this stark white room, eat a bowl of cereal (though not too much, my stomach was nervous!) and take a beautiful walk through the west region of Amsterdam to get to HJS. Then I was able to dance for the next 5 hours. It began with Stephen. I am clearly not a ballerina, but he still showed interest in my progress, as well as the others in class. He also noted that I have a "lovely back", a huge self esteem booster coming from his impecibly trained eye.
Next class was with Martin Sonderkamp, a freelance dancer based in Berlin. His class is release-based and very challenging. I felt very good about my university training in this class. Thank you, Andee Scott! There was a moment when he ever so delicately threw his body into the ground and made no noise at all. A year ago I would have been baffled, but after Advance Contemporary Technique with Andee my last year at UT, I knew just how to accomplish this! It feels good to be over here in Europe and to feel like my dance training in competent. Yay UT Theatre and Dance!
My final class of the day (the woman at the desk was shocked I would take 3 classes in a row, but hey! this is what I'm here to do) was with Martin Meng. Now this is an interesting story: Martin and I have crossed paths in the past. Two summers ago in Cyprus, Martin was the ballet master at the tiny tiny installation of EDAS (European Dance Art Salzburg). The three weeks spent in Cyprus alongside 4 other UT dancers and a group of 6(?) young Israeli dancers is a whole different story...as there was a lot of unexpected circumstances and adjusting that was involved. And malnutrition. And diarrhea. But I learned a lot from Martin in those weeks. Teaching in strict Russian technique, he holds a completely different class than I am used to with the ballet at UT. I don't agree with it all, especially the idea of forced turn out and and incredibly stiff back. However, he helps me push my own length of limb and stretch my lines, something needed with my long torso and tiny stub legs. He also helps me in my balance. I know it sounds crazy to "balance from your fingertips", but the images he uses to explain balancing by stretching enormously through your pinky finger in your pique arabesque...Uhm, it freaking works. Love it. So we had a nice little reunion. He told me I looked good, I said he looked good. He said he hardly recongized me. I suppose this is good, as when I was in Cyprus I looked emaciated and was constantly soaking in my own piggy sweat.
The best part about Henny Jurriens Foundation: it shares the building with yet another dance center, Amsterdan Dance Centre. They have evening classes, all different types. I am going to check out schedules and fees tomorrow and will hopefully have some extra spare cash to take a few random classes here and there. Just bunk out at the studio all day...sounds wonderful, doesn't it? I am creating my own intensive workshop for myself. It feels great :)
Sunday, July 25, 2010
This coming week the teachers are badass. More to come tomorrow.
Monday, July 19, 2010
My advanced "release" technique class, beginning at 9:30AM and taught by a brilliant pint-sized ball of fire is not so rejuvenating as it might sound. She kicks my butt first thing each morning, with more squats, suspensions, speedy footwork and dropping than you could imagine. I love it!
After this I go straight to my advanced Limon class with Luca, another pint-sized and brillian (and adorable) young teacher who can't help but make you work hard.
Lunch comes around and then a nice Pilates class. And then the day ends with Capoiera with Will...a whole separate story. Exhausting? Yes. Invigorating? Yes. Possibly something I want to study deeply in the future? Definitely.
I had beer and dinner with Jacque, MJ and Phillipe (my cousin, aunt and uncle.) We resumed to the same place we visited this weekend; a cool, mildly fancy pub near Bloomsbury park, down the street from Jacques' flat. I had a PINT which is actually 20 fluid ounces, as opposed to the 16 fl ounces that we americans are used to. Boy oh boy, how I love the beer here! Yes. I am officially a beer lover now. Liqour? Alright. Wine? Pretty great. Beer? MORE!
After beers we proceeded to Tas, a Turkish food place nearby. I tried my first glass of Raki...pretty much not delicious to me, but I am happy I tried it anyways.
On the way home from dinner, after saying farewell to MJ and Ph, as they are returning to the states tomorrow, I took the Victoria Line home. Here I made friends with a starving actor from Dublin named Chris. He has been living in Brixton for the past half year (or something like that) auditioning and trying to get into the acting world. His story made me happy and reconfirmed that I'm not totally crazy trying to make this do-art-in-Europe dream happen.
This weekend I saw Hofesh Shechter's "Political Mother" at Sadler's Wells Theatre. I haven't got the energy or wrapped up thoughts to go into depth, but basically I was blown away and completely inspired at the quality of just about everything evolving around the show. I WANT TO DANCE FOR THESE PEOPLE. AHHHHHH. So slinky yet precise and glorious all around.
Here is a few links about the show:
The second is a review with a rather blunt ending/opinion, but the descriptions in between are well...descriptive.
Thursday, July 15, 2010
Wednesday, July 14, 2010
Here is a tiny look into the flat that I am living in during the next two weeks. The flat belongs to some lovely friends of boyfriend to a friend of Soren...basically, I don't know these folk, but they have been kind enough to let me stay in their place in Brixton, on "Bob Marley Way" while they are vacationing.
The one downfall of this situation is that I am exetremly far away from Laban, the institute where I am dancing every day. Brixton is about an hour long tube ride, with 2 changes, to Greenwich, where the school is based. By the time I get home each day after dancing it is past 8pm and I am TIRED.
I finally got to the grocery store yesterday and bought, among other things, two necessary items: thick cut, traditional marmalde and Nutella. The Nutella is sumblime as always. The marmalade...gross. But I had to try it!
Happy points of this trip: mostly everything.
- The freedom of being alone, figuring things out for myself.
- Riding the tube, seeing a mass majority of London citizens getting up together every week day, getting on the mass transportation, off to their jobs. It is superb people-watching, and though I try to blend in with the unenthused, exhausted look like everyone else has, I am so interested on the inside!
- Everyone sounds like they are in a Happy Potter film. It's awesome
- Aside from "everyone", of course there are many foreigners as well. I sat next to two Danes on the tube yesterday. I could tell because they sounded like Soren :)
- The dancing! Holy moly, I can't forget about the dancing, which is why I'm here in the first place. My classes are crazy intense, and I am holding up well (aside from extremely sore thign muslces and a cronic case of jetlag). I am taking Advanced Limon technique, Advanced Release technique, a Pilates course, and an introduction into Capoeira with an oh-so-cool teacher. In fact all of the teachers are quite enjoyable. I haven't met too many friends, but I have been smiley and happy around the classrooms, and I think my presence is appreciated. That is all I ask for!
Sad points: Very few
- My alarm clock won't work, so I have had to figure out different methods of waking up. Not a very happy feeling the to realize this THE FIRST DAY OF CLASS. But I still made it on time.
- Despite how hard I tried, I still think I packed too much. My backpack was ridicuously full and heavy, and I know half the clothes I truly won't wear. Oh well. The worst part is over; me arriving in London looking like a complete foreigner with my overstuffed luggage, my passport holder on my hip, a detailed map and a very confused look. After I travel to Amsterdam, that feeling won't be happening anymore, as I'll be based in Copenhagen after that and hopefully feeling pretty much "at home".
Sunday, June 27, 2010
This is not dance related, but life related.
I took a roadtrip during January of 2008 with some beautiful people in a beautiful place.
This is the documentary video that Ben Kullerd made of our travels.
Below is the description of the film that Ben provides on his Vimeo page:
"This is a makeshift trailer or preview for a feature-length documentary I am editing. The documentary, currently under the working title of "Al Oeste/Del Río," folows me and three of my friends on a trip we took during January of 2008. The title, which means "West of the River," is also a play on words - "al oeste" means to the west, which is where we traveled on our trip, and Del Río is the name of the first town we visited on our way to Big Bend National Park, Terlingua and Chinati Hot Springs.
Following the trailer is my opening credits sequence, edited to "The Last Beat of My Heart" by DeVotchka. The opening trailer is edited to "Scotch & Chocolate" by Nickel Creek."
Monday, June 21, 2010
Sunday, June 20, 2010
I also must give you directions to finding this video because I don't have the file myself. I was perusing around Elissa's website and admiring it, when suddenly I noticed I was mentioned in one of her uploaded videos! A little blast from the past, it was. (Yoda?) Anyhow, if you would like to see, follow directions, and also take a look around Elissa's fashionable site. She is the bomb-diggity, and her photos and videos deserve much attention.
1.) use the link listed in step #3!
2.) watch the video entitled “Modern Neon/In Rainbow/Mindless Connection”
Now that wasn't so hard, was it?
Note: there is a lot of talking before the dancing starts, but if you listen it is interesting. Also, the first speaker is Elissa's brother Ross...darling. Artist siblings.
Here is some more footage from the Romulus Ate performance at Red7. Filmed by the oh-so-talented and oh-so-respected Matt Ely. Thanks for all the help, buddy!
Note: audio/bass on film= not so hot.
Audio/bass live in concert= VERY HOT.
Sunday, May 30, 2010
My grand entrance is at 15 seconds. Mariclaire liked the idea of robots at a dance party, and the piece got weirder from there. This was a fun work to participate in.
Saturday, May 15, 2010
What is "Romulus Ate"? Is it
a.) a dance concert
b.) a light show
c.) a rock show
d.) a journey
e.) ALL OF THE ABOVE
The answer is E, ALL OF THE ABOVE!
Micheal Howell- Director, Composer
Alex Van Bavel-Lighting
Lisa Kobdish-Choreography, Dance
Mariclaire Gamble-Choreography, Dance
Janna Rock-Choreography, Dance
Taylor Kirk-Live Sound
Sarah Thornell- Costume Design/Construction
Beauty Thibodeau-Hair and Makeup Design/Application
Anna Fugate- Makeup Artist
Using choreography created simultaneously with the music that accompanies it, lights operated from an onstage homemade light board, set pieces moving as part of the choreography, and electronic melodies combined with acoustic percussion, this dance/movement, music, and lights performance piece will explore performance semiotics at their core. The production team will also create a performance-world that can be erected in a minimal amount of time, in any venue, using homemade lights and set pieces.
Wednesday, May 12, 2010
A music video/documentary featuring Kevin Drew's "Gangbang Suicide" from his solo album, Spirit If...
Shot on Super 16mm - Arri SR - b&w and color film stocks
Original choreography designed and performed by Lisa Kobdish
Cinematography, Art Direction, Editing by Ben Kullerd
Produced by Caitlin Lundin
Special Thanks: Deb Lewis, Kurt Falkenhagen, Soren Jensen, Chrissy Shackelford, and Pepper mama.
- Studio Diaries:
Canción del Cuerpo
- Documentary on
El Colegio del Cuerpo's ProyectoMA
- Segment on NPR's “All Things Considered” on
El Colegio del Cuerpo
- Article on
El Colegio del Cuerpoby UNESCO
- UT Feature Story: “The Beginning of a Movement, Artists engage in a cross-cultural dialogue through dance in Colombia“ - 2/22/10
- Austin Chronicle Preview: “Canción del Cuerpo, Translated through the body” - 3/4/10
- DT Weekend: “Cross-cultural conversations in movement” - 3/4/10
- ¡ahora sí! Preview: “Dos mundos se unen para crear una obra de danza” - 3/4/10
- Austin Chronicle Review - 3/11/10
- Texas Exes Blog: "Innovative UT Dance Production 'Cancion Del Cuerpo' An Artistic And Cultural Milestone" - 3/11/10